Friday, August 6, 2010

Somewhere a dog barked

Beware the lazy device.


Novelists can't resist including a dog barking in the distance. I've seen it happen across the spectrum—Jackie Collins, William Faulkner, and Chuck Palahniuk: "There was no more rain, just an eerie stillness, a deathly silence. Somewhere a dog barked mournfully." (American Star) "She did not answer for a time. The fireflies drifted; somewhere a dog barked, mellow sad, faraway." (Light in August) "This is such a fine neighborhood. I jump the fence to the next backyard and land on my head in somebody's rose bush. Somewhere a dog's barking." (Choke)
If a novel is an archeological record of 4.54 billion decisions, then maybe distant barking dogs are its fossils, evidence of the novelist working out an idea. Trains whistle, breezes blow, dogs bark. Dogs that authors bother to describe, or turn into characters, don't pull me out of my reading trance. The thing is, these so-called dogs are nameless and faceless, and frankly I doubt them; it's the curious incident when one actually does come into view. 
However, most authors, Baldwin writes, "employ the trope as a narrative rest stop, an innocuous way to fill space and time; since the bark is hollow, a reader can read anything into it, or nothing at all."

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